Abner Jay

True Story Of Abner Jay

c. 2009-2010s (repress of this title)  ·  Mississippi Records LP-MR-036  ·  Mono  ·  US  ·  LP · 33 1/3 RPM

Pressing details

LabelMississippi Records
Catalogue numberLP-MR-036
Yearc. 2009-2010s (repress of this title)
Mono / StereoMono
CountryUS
FormatLP
Speed33 1/3 RPM
GenreBlues - Country Blues / Outsider Folk
MusiciansAbner Jay (electric six-string banjo, harmonica, bass drum, cymbals, vocals - one-man band)

Matrix / Runout

Side A:  MRP/MR-036A CP16-053A TELEGRAPH-GONSA
Side B:  MRP MR-036B CP16-053B TELEGRAPH-GONSA

Condition

Cover
NM/NAME MINT WITH BIOGRAPHY
Vinyl
NM

Variant chronology

1974 - private-press original, Brandie 1001, "True Story Of Dixie"/In Underground Atlanta LP
2009 - Mississippi Records MR-036, US compilation LP, mono, first reissue pressing
2013 - Mississippi Records repress, UK/Europe/US, stereo
2017 - Mississippi Records tip-on-sleeve repress, mono, matrix matches this copy

This Pressing

Mississippi Records reissue compilation, mono - runout matches a documented tip-on-sleeve repress of MR-036, though this copy's pink label differs from that repress's reported burgundy label.

The Album

Abner Jay billed himself as the last of the great traveling one-man-band minstrels, a self-taught songster from rural Georgia who accompanied his own banjo, harmonica and foot-pedaled bass drum and cymbals in a single performance. He toured the South and beyond for decades, playing schools, supper clubs, churches and street corners, cutting his songs himself on small private-press singles and LPs he sold from the trunk of his car. This compilation gathers highlights of that self-released catalog, mixing his own compositions - blunt, plainspoken protest and hard-times songs like "Cocaine," "Vietnam" and "The Reason Young People Use Drugs" - with his stripped-down readings of older standards such as "St. James Infirmary Blues" and "Ol' Man River." Jay's music reaches back past postwar blues toward nineteenth-century minstrel and songster traditions, filtered through his own idiosyncratic, deeply personal voice. He remained a marginal, largely unrecorded figure in his lifetime, better known to those who caught him live than to record buyers, which makes this gathering of his scattered singles and album sides a rare window onto an outsider artist rediscovered decades after the fact. Critics and collectors have since embraced him as a singular American voice, prized precisely for the raw, unclassifiable character that kept him outside the era's blues and folk revivals.

Tracklist

Side 1

1. I'm So Depressed
2. Cocaine
3. Vietnam
4. St. James Infirmary Blues
5. Cleo

Side 2

1. Woke Up This Morning
2. My Mule
3. Ol' Man River
4. Don't Mess With My Baby
5. I Am Georgia Bound
6. The Reason Young People Use Drugs

The Label

The label on this copy is pink with black text, reading MISSISSIPPI RECORDS, the 5202 N Albina Ave, Portland OR address, the artist name ABNER JAY, and LP-MR-036, with a Side A/Side B, 33 1/3 RPM, MONO designation but no design table exists to date this exact pink colourway against the label's other pressings. The etched runout on this copy (MRP/MR-036A CP16-053A TELEGRAPH-GONSA / MRP MR-036B CP16-053B TELEGRAPH-GONSA) matches, character for character, the matrix documented for a later tip-on-sleeve repress of this title, which is elsewhere reported with burgundy labels rather than pink. That match places this pressing among the label's post-2009 repress runs sharing the same lacquer/stampers, but the colour discrepancy means the exact repress year cannot be fixed from the label alone. Mississippi Records is a small independent reissue label operating from this Portland, Oregon address since the label's founding in the 2000s, specializing in vernacular blues, gospel and folk compilations sourced from private-press originals.

Fidelity

The recordings are sourced from Abner Jay's own private-press singles and LP masters, so fidelity reflects those low-budget mid-century sources rather than a modern studio recording; expect surface noise, tape hiss and variable levels inherent to the originals. The reissue mastering and pressing (cut by an outside mastering/plating supplier for the label) is clean and well-centered by the standards of small-label reissues, and collectors generally rate this compilation as a faithful, listenable gathering of otherwise hard-to-find material. Because there is no audiophile remaster of this title, this pressing sits at the top of the fidelity hierarchy simply by being the only widely available vinyl edition.

Notes

This is the Mississippi Records reissue compilation MR-036, mono, gathering Abner Jay's self-released 1960s-70s recordings. The etched runout (MRP/MR-036A / B, CP16-053, TELEGRAPH-GONSA) matches a documented repress of this title character for character, placing this copy among the label's later pressing runs from the same stampers. The pink label seen here does not match the burgundy label reported for that specific repress entry, so the precise printing/repress year is not fixed by the label alone. The back cover carries the printed track list and a hand-lettered biography of Abner Jay, and this copy includes the separate typed biography insert sheet.