Thank you for buying this record. What follows is its documentation: the
pressing identified, the matrix / runout transcribed by hand from the dead
wax, and the condition as assessed before it was listed. It is yours to keep
with the record.
— Paul, Vinyl Curator
Abner Jay
True Story Of Abner Jay
2016 or later (repress) · Mississippi Records LP-MR-036 · Mono · US · LP · 33 1/3 RPM
Pressing details
| Label | Mississippi Records |
| Catalogue number | LP-MR-036 |
| Year | 2016 or later (repress) |
| Mono / Stereo | Mono |
| Country | US |
| Format | LP |
| Speed | 33 1/3 RPM |
| Genre | Blues - Country Blues / Outsider Folk |
| Musicians | Abner Jay (electric six-string banjo, harmonica, bass drum, cymbals, vocals - one-man band) |
Matrix / Runout
Side A: MRP/MR-036A CP16-0053A TELEGRAPH-GONSA
Side B: MRP MR-036B CP16-0053B TELEGRAPH-GONSA
Condition
- Cover
- NM
- Vinyl
- NM
Variant chronology
1974 - private-press original, Brandie 1001, "True Story Of Dixie"/In Underground Atlanta LP
2009 - US Mississippi Records MR-036, test pressing with a hand-made cover
2009 - US Mississippi Records MR-036, test pressing with a printed cover
2009 - US Mississippi Records MR-036, mono first pressing
2016 or later - US Mississippi Records MR-036, pink label repress, 5202 N Albina Ave labels <- this copy
2017 - US Mississippi Records MR-036, tip-on sleeve repress
This Pressing
Mississippi Records compilation, mono - a 2016-or-later repress pressed from a Cascade Record Pressing job dated by its own runout code, carrying the label's later 5202 N Albina Ave address rather than its original Mississippi Ave address.
The Album
Abner Jay billed himself as the last of the great traveling one-man-band minstrels, a self-taught songster from rural Georgia who accompanied his own banjo, harmonica and foot-pedaled bass drum and cymbals in a single performance. He toured the South and beyond for decades, playing schools, supper clubs, churches and street corners, cutting his songs himself on small private-press singles and LPs he sold from the trunk of his car. This compilation gathers highlights of that self-released catalog, mixing his own compositions - blunt, plainspoken protest and hard-times songs like "Cocaine," "Vietnam" and "The Reason Young People Use Drugs" - with his stripped-down readings of older standards such as "St. James Infirmary Blues" and "Ol' Man River." Jay's music reaches back past postwar blues toward nineteenth-century minstrel and songster traditions, filtered through his own idiosyncratic, deeply personal voice. He remained a marginal, largely unrecorded figure in his lifetime, better known to those who caught him live than to record buyers, which makes this gathering of his scattered singles and album sides a rare window onto an outsider artist rediscovered decades after the fact. Critics and collectors have since embraced him as a singular American voice, prized precisely for the raw, unclassifiable character that kept him outside the era's blues and folk revivals.
Tracklist
Side 1
1. I'm So Depressed
2. Cocaine
3. Vietnam
4. St. James Infirmary Blues
5. Cleo
Side 2
1. Woke Up This Morning
2. My Mule
3. Ol' Man River
4. Don't Mess With My Baby
5. I Am Georgia Bound
6. The Reason Young People Use Drugs
The Label
The labels on this copy are pink with black text, reading MISSISSIPPI RECORDS, the 5202 N Albina Ave, Portland OR 97217 address, the artist name ABNER JAY, LP-MR-036, Side A/Side B, 33 1/3 RPM and MONO. Mississippi Records began life as a Portland shop and label on N Mississippi Ave, the address the label's own name comes from; the 5202 N Albina Ave address printed on this copy's labels is the later Portland location the label moved to, not the address it carried from its founding. Both runouts carry the job code CP16-0053, Cascade Record Pressing's internal job-number format in which the digits after "CP" give the pressing year - here 2016 - placing the manufacture of this lacquer/stamper set in 2016 or after. This copy's label therefore belongs to the Albina Ave-era repress run of MR-036, pressed in 2016 or later.
Fidelity
The recordings are sourced from Abner Jay's own private-press singles and LP masters, so fidelity reflects those low-budget mid-century sources rather than a modern studio recording; expect surface noise, tape hiss and variable levels inherent to the originals. The reissue mastering and pressing (cut by an outside mastering/plating supplier for the label) is clean and well-centered by the standards of small-label reissues, and collectors generally rate this compilation as a faithful, listenable gathering of otherwise hard-to-find material. Because there is no audiophile remaster of this title, this pressing sits at the top of the fidelity hierarchy simply by being the only widely available vinyl edition.
Notes
This is Mississippi Records MR-036, mono, a repress of the label's original 2009 Abner Jay compilation. Both sides' runouts read MRP/MR-036 A/B, CP16-0053 A/B, TELEGRAPH-GONSA; CP16-0053 is Cascade Record Pressing's internal job number, and the digits following “CP” give 2016 as the pressing year, dating this stamper set to 2016 or later. The pink labels print the 5202 N Albina Ave, Portland address, the location Mississippi Records moved to after its founding on N Mississippi Ave, the street the label is named for - so this copy's labels belong to the label's later Albina-era printing, not its earliest address. The back cover carries the printed track list and a hand-lettered biography of Abner Jay, and this copy includes the separate typed biography insert sheet.
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