The Album
Alberta Hunter had walked away from her celebrated blues and cabaret career decades earlier to train as a nurse, only re-emerging in the late 1970s in her eighties for an engagement at a small New York club that turned into a genuine comeback. Amtrak Blues, cut for Columbia and produced by John Hammond, captured that late-career resurgence, pairing newly written originals like the title track with vintage repertoire she had long been associated with, from vaudeville-era standards to Tin Pan Alley staples. Hunter's voice, weathered but still full of wit and command, gives the record its character, and the small swing-to-mainstream jazz band assembled around her - led by pianist Gerald Cook, her longtime musical partner - matches her phrasing with easy, unhurried support. The album became one of the most celebrated documents of her return, reintroducing her to a new generation of listeners and critics who had only known her by reputation from the 1920s. It stands as a capstone to an extraordinary career that stretched from the classic blues era through decades away from music and back again, and it remains a touchstone recording for her late-life renaissance, praised for the vitality and humor she brought to material both old and new.
The Label
The label on this copy is a CBS gradient design, orange at the rim shading to yellow at the spindle, with the light-blue 'CBS' wordmark and a small square logo showing a stylised turntable/stylus above it; the perimeter carries the standard rights-reserved text and, at the base, 'MADE IN NEW ZEALAND BY A REGISTERED USER OF THE TRADE MARKS.' That rim text is the decisive marker: it identifies this as a CBS pressing manufactured under license for the New Zealand market rather than the US Columbia issue or the Australian CBS pressing that shares the same catalogue number. CBS used this orange-to-yellow label style across its international pressing plants through the late 1970s and into the early 1980s, so the design alone does not further narrow the date beyond the 1980 copyright year printed on the label. No deep-groove or plant stamp is visible on the label face itself, so nothing further about mastering source can be read from the label design.
Documenting collections
I do this work for other people’s collections too — documenting a
collection record by record, researching individual pressings, and preparing
collections for sale or for insurance. If you have a collection you would like
documented, or a record you want identified properly, get in touch:
email
This record’s page: https://vinylcurator.net/albums/alberta-hunter-amtrak-blues/