Bob Dylan

Desire

1976  ·  Columbia PC 33893  ·  Stereo  ·  US (Columbia Records Pressing Plant, Santa Maria, indicated by the plant mark etched in the runout)  ·  LP · 33 1/3 RPM

Pressing details

LabelColumbia
Catalogue numberPC 33893
Year1976
Mono / StereoStereo
CountryUS (Columbia Records Pressing Plant, Santa Maria, indicated by the plant mark etched in the runout)
FormatLP
Speed33 1/3 RPM
GenreRock - Folk Rock/Singer-Songwriter
ProducerDon DeVito
MusiciansBob Dylan (vocals, guitar, harmonica), Scarlet Rivera (violin), Rob Stoner (bass, vocals), Howie Wyeth (drums, piano), Emmylou Harris (vocals), Steven Soles (guitar, vocals), Luther Rix (percussion), Vincent Bell (guitar), Dom Cortese (accordion); uncredited on the jacket: Erik Frandsen (guitar)

Matrix / Runout

Side A:  AL33893-3B S1 B3
Side B:  BL33893-2D S1

Condition

Cover
EX
Vinyl
NM

Variant chronology

1976 - US Columbia red perimeter-text stereo label, flat (no deep groove), stamper suffixes AL/BL 33893-3B/2D  <- this copy
1976 - US Columbia white-label promo, gold "Demonstration - Not For Sale" stamp on back cover
1976 - US Columbia Quadraphonic PCQ 33893
1976 - US Columbia, Terre Haute pressing with two rings in label - no documented sale
1976 - Canada Columbia PC 33893 / CT 33893 - no documented sale
1975-76 - Europe/UK CBS 86003 - no documented sale
2014 - US Mobile Fidelity Numbered 45rpm 2LP box (MFSL 2-45416)

This Pressing

Standard US stereo pressing (1976) - flat red perimeter-text Columbia label, no promo stamp on the back cover, Santa Maria plant mark referenced in the runout.

The Album

Desire followed the comeback success of Blood on the Tracks and found Bob Dylan writing for the first time at length with lyricist and theatre director Jacques Levy, who co-wrote all but two of the songs. The sessions, cut quickly in New York in the summer and fall of 1975, brought in violinist Scarlet Rivera, and her keening violin lines became the record's signature sound alongside a loose, road-band feel built around bassist Rob Stoner and drummer Howie Wyeth. The album opens with "Hurricane," a protest epic recounting the wrongful conviction of boxer Rubin Carter, and closes side two with the lengthy narrative ballads "Joey" and "Black Diamond Bay," reflecting Levy's influence in pushing Dylan toward long-form storytelling. "Sara," a plea to his wife Sara Lownds written as their marriage was unraveling, gives the record its emotional center and anticipated the breakup chronicled on later tours. Released amid the Rolling Thunder Revue, the touring circus Dylan led through small towns in late 1975 and 1976, the album became his second consecutive number-one record in the US and is regarded by critics and fans as one of the richest and most narratively ambitious albums of his mid-1970s peak. Its blend of outlaw ballads, political advocacy and intimate confession has kept it a touchstone of the singer-songwriter era and a frequent entry on best-of-Dylan lists.

Tracklist

Side 1

1. Hurricane 8:33
2. Isis 6:58
3. Mozambique 3:00
4. One More Cup Of Coffee 3:43
5. Oh, Sister 4:05

Side 2

1. Joey 11:05
2. Romance In Durango 5:50
3. Black Diamond Bay 7:30
4. Sara 5:29

The Label

The side labels are a flat (non-deep-groove) red Columbia label of the period: yellow "COLUMBIA" lettering repeated around the perimeter with the small boxed logo, no "360 Sound" arc text. This perimeter-text red label was Columbia's generic stock design for its consolidated 30000-series catalogue numbers in the mid-1970s, replacing the earlier orange "360 Sound" labels of the preceding era. The back cover carries no gold "Demonstration - Not For Sale" overprint, so this is the ordinary commercial stock label rather than the white-label promotional issue; the runout carries the matrix suffixes AL/BL 33893-3B/2D, with the plant mark pointing to the Columbia pressing plant in Santa Maria, California.

Fidelity

The album was cut and pressed as a conventional 1970s Columbia stereo LP rather than an audiophile mastering; this Santa Maria-plant stock copy represents a routine commercial cut rather than a premium stamper or specialty remaster. Collectors on the forums generally regard the original stereo pressings as solid, warm-sounding cuts typical of mid-1970s Columbia product. Later audiophile reissues, including the quadraphonic edition and the modern numbered 45rpm box set, are prized for different reasons (surround imaging and expanded dynamics respectively), but this ordinary stereo pressing sits in the middle of the fidelity hierarchy - solidly listenable but not the reference cut.

Notes

This is a standard US stereo commercial pressing of Columbia PC 33893, not a promotional or quadraphonic variant. The red label with yellow perimeter "COLUMBIA" lettering and small boxed logo is Columbia's generic mid-1970s design for the 30000-series catalogue, consistent with the album's original 1976 US run. The runout carries the "-3B"/"-2D" stamper suffixes associated with the Santa Maria-plant pressing family, and the back cover carries no "Demonstration - Not For Sale" promotional stamp, distinguishing it from the white-label promo copies that otherwise share this stamper combination.