Bob Dylan

The Times They Are A-Changin'

1964  ·  Columbia CL 2105  ·  Mono  ·  US  ·  LP · 33 1/3 RPM

Pressing details

LabelColumbia
Catalogue numberCL 2105
Year1964
Mono / StereoMono
CountryUS
FormatLP
Speed33 1/3 RPM
GenreFolk
ProducerTom Wilson
ComposerBob Dylan
MusiciansBob Dylan (vocals, guitar, harmonica)

Matrix / Runout

Side A:  XLP-75526-1H 0 T A
Side B:  XLP-75527-1H 0 1 A

Condition

Cover
NM-
Vinyl
EX

Variant chronology

1964 - US Columbia red two-eye mono, early-stamper pressing
1964-65 - US Columbia red two-eye mono, later-stamper pressing  <- this copy
1964 - US Columbia red two-eye mono, promo/DJ white label
1964 - US Columbia red two-eye stereo, CS 8905
1965 - US Columbia red two-eye mono repress

This Pressing

Mono pressing on the Columbia red two-eye label, with a mid-run stamper suffix placing it within the two-eye pressing run rather than at the earliest lacquer.

The Album

Recorded in New York in the second half of 1963, this was Bob Dylan's third album and the one that cemented his reputation as the voice of the protest-song movement. Coming on the heels of the commercial breakthrough of his previous record, it doubled down on topical songwriting, addressing civil rights, poverty, and the Cold War arms race in direct, narrative terms rather than through allegory. The title track became an anthem for a generation grappling with social and political upheaval, while songs built around real events - a Baltimore barroom killing, a farmer driven to murder-suicide by poverty - showed Dylan working as a kind of folk journalist. The closing song found him already stepping back from the protest-singer label that the record had done so much to earn him, a tension that would define the rest of his 1960s work. Critically the album is regarded as a high point of the American folk revival and one of the most influential protest records ever made, its songs covered for decades afterward by artists across folk, rock, and country. It remains a cornerstone of Dylan's early catalogue and a touchstone for topical songwriting generally.

Tracklist

Side 1

1. The Times They Are A-Changin' - Dylan
2. Ballad of Hollis Brown - Dylan
3. With God on Our Side - Dylan
4. One Too Many Mornings - Dylan
5. North Country Blues - Dylan

Side 2

1. Only a Pawn in Their Game - Dylan
2. Boots of Spanish Leather - Dylan
3. When the Ship Comes In - Dylan
4. The Lonesome Death of Hattie Carroll - Dylan
5. Restless Farewell - Dylan

The Label

The labels are the red Columbia two-eye design: two square 'eye' logos (concentric rings over an arrow) flank the spindle, a curved 'COLUMBIA' arc runs along the top, and 'MONO' sits at bottom center between two '"360 SOUND"' arcs with small up-pointing arrows. This two-eye mono label design was Columbia's standard for the mid-1960s, succeeding the earlier six-eye label the company used until the early 1960s. The runout suffixes on this copy run to a higher stamper letter than the earliest cut used for this title, placing it within the two-eye mono pressing run but not at its first lacquer.

Fidelity

This is a straightforward Columbia in-house mono cut of the period rather than an audiophile remastering; the acoustic arrangements and Dylan's voice and harmonica come through cleanly on a good original pressing but without the deep low end or wide dynamic range of later digital remasters. Collectors generally rate the original mono folk-era Columbia pressings of this title as the most authentic-sounding versions, preferring them to the rechanneled stereo mix that was also issued at the time. Later reissues and remasters improve surface noise and bass extension but are not considered sonic upgrades over a clean original mono pressing for this particular recording.

Notes

This is a 1964 Columbia CL 2105 mono pressing on the red two-eye label. The runout suffixes (1H on both sides, with a T stamp) point to the Terre Haute pressing plant rather than one of the other plants used for early copies of this title. The back cover carries the first-issue rear-sleeve text, with only the monaural catalogue number under the Columbia logo and the small finishing-company numeral in the corner, and includes the printed epitaphs insert sheet. Taken together these place the copy within the first year or two of this title's mono pressing run, pressed at a secondary plant rather than Columbia's main New York facility.