The Album
Songs Of Love And Hate was Leonard Cohen's third album, recorded in Nashville and London in the latter half of 1970 under producer Bob Johnston, who had also helmed Songs From A Room. Cohen was by this point an established but unsettled figure in the singer-songwriter world, touring on the back of acclaim from his debut and sophomore records while privately wrestling with depression, and the album's spare, haunted arrangements mirror that mood. Tracks like ‘Famous Blue Raincoat’, cast as a letter to a rival, and ‘Joan Of Arc’, a dialogue between the saint and the flames that consume her, show Cohen pushing his lyric writing toward a darker, more theatrical register than before. ‘Dress Rehearsal Rag’, one of the bleakest songs in his catalogue, was reportedly held back from an earlier album at Judy Collins's urging before finding its home here. The record's stark instrumentation, built around Cohen's guitar and voice with understated Nashville session support, became a touchstone for the confessional folk tradition of the early 1970s. Critical reception at the time was mixed to cautious, but the album's reputation has grown steadily, with ‘Famous Blue Raincoat’ and ‘Joan Of Arc’ now ranked among Cohen's most covered and most discussed songs. It stands as a pivotal, transitional work between the gentler folk of his first two records and the more experimental, orchestrated directions he would take later in the decade.
The Label
This copy carries the orange CBS label with the square CBS logo, concentric rings and R centred left, the rim reading ‘ALL RIGHTS OF THE MANUFACTURER…UNAUTHORIZED PUBLIC PERFORMANCE…’, catalogue S 69004 (C 30103), publisher credits split by track, and MADE IN ENGLAND - no label code is present on either side. CBS UK used this plain orange square-logo design through the early-to-mid 1970s before resetting the label to the orange-to-yellow gradient with the eye-and-R logo at the top and a four-digit LC code, a change that cannot predate 1977 since the LC system itself began that year. The absence of an LC code and the plain square-logo design place this copy in the earlier UK pressing run, ahead of a later copy of the same catalogue number that carries the LC-coded gradient label.
Fidelity
This is a UK CBS pressing of the original Bob Johnston-produced master, not a specialist audiophile cut or remaster. Collectors on the forums generally rate the UK CBS pressings of this era as solid, if unspectacular, pressings next to US Columbia copies, with no widely distinguished mastering engineer credited on the jacket. No audiophile reissue series (Analogue Productions, Mobile Fidelity, Classic Records) has tackled this title, so this pressing's main rivals in the fidelity hierarchy are other original-era CBS/Columbia copies rather than a later boutique cut.
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