Thank you for buying this record. What follows is its documentation: the
pressing identified, the matrix / runout transcribed by hand from the dead
wax, and the condition as assessed before it was listed. It is yours to keep
with the record.
— Paul, Vinyl Curator
The Lonnie Brooks Blues Band, Pinetop Perkins with Sammy Lawhorn, The S.O.B. Band
Living Chicago Blues Volume Number 3
1978 · Alligator Records AL 7703 · Stereo · US · LP · 33 1/3 RPM
Pressing details
| Label | Alligator Records |
| Catalogue number | AL 7703 |
| Year | 1978 |
| Mono / Stereo | Stereo |
| Country | US |
| Format | LP |
| Speed | 33 1/3 RPM |
| Genre | Blues - Chicago Blues |
| Producer | Bruce Iglauer, Richard McLeese |
| Musicians | Lonnie Brooks (guitar, vocals), Rob Waters (keyboards), Harlan Terson (bass), Casey Jones (drums); Pinetop Perkins (piano, vocals), Sammy Lawhorn (guitar), Luther Johnson Jr. (guitar), Calvin Jones (bass), Willie Smith (drums); Billy Branch (harmonica, vocals), Lurrie Bell (guitar), Freddie Dixon (bass), Jeff Ruffin (drums) |
Matrix / Runout
Side A: AL-7703A
Side B: AL-7703B
Condition
- Cover
- NM-
- Vinyl
- NM-
Variant chronology
1978-1980 - US pressing, gray alligator-logo label (Scranton/Allentown plant not distinguishable from the label face) <- this copy
1978 - France, Sonet B.ST.9543
1978 - Italy, Sonet SNTL 2786
1978 - UK, Sonet SNTF 786
1979 - France, Sonet ST 8545
1980 - Spain, Discophon J-4450
1981 - Spain, Discophon J-4450
1981 - Japan, ATLAS LA23-3009
1983 - Yugoslavia, PGP RTB 2221721
1988 - France, Sonet 70626/30626 reissue
This Pressing
US pressing (c. 1978-1980) - Alligator AL 7703, flat gray alligator-logo labels; exact pressing year/plant not identifiable from the label alone.
The Album
Living Chicago Blues was a landmark multi-volume series that Alligator Records issued in the late 1970s to document the city's then-overlooked second and third generation of blues players, pairing established club veterans with rising talent recorded for maximum grit. Volume Three gathers three distinct Chicago bands: the raw, soul-inflected guitar work of the Lonnie Brooks Blues Band, the deep postwar piano blues of Pinetop Perkins (longtime pianist for Muddy Waters) backed by guitarist Sammy Lawhorn, and the young, harmonica-driven Sons of Blues led by Billy Branch with guitarist Lurrie Bell, son of Chicago bluesman Carey Bell. The series as a whole is credited with capturing a vital, unglamorous slice of the Chicago blues scene just as many of its older originators were aging out, giving overdue vinyl exposure to musicians who worked the city's neighborhood clubs rather than the concert circuit. Brooks brought a Louisiana-bred, R&B-tinged guitar sound to the Chicago idiom, while Perkins represented a direct living link to the Muddy Waters band lineage. Branch and Bell, both still in their twenties at the time, represented the next generation carrying the tradition forward. Critically, the Living Chicago Blues series is regarded as one of the most important field-document style blues releases of the era, prized by blues historians and collectors for preserving performers who otherwise left thin discographies, and it remains a touchstone reference for the late-1970s Chicago blues revival.
Tracklist
Side 1
1. Don't Answer The Door
2. Two Headed Man
3. Lonely, Lonely Nights
4. Move Over, Little Dog
5. Take It Easy, Baby
6. Blues After Hours
Side 2
1. Little Angel Child
2. How Much More Long
3. Have You Ever Loved A Woman
4. Berlin Wall
5. Prisoner Of The Blues
The Label
The side labels on this copy are flat, dark gray/silver with raised white lettering, arced "LIVING CHICAGO BLUES" text around the rim and a stylized alligator logo at the bottom of each side; the labels print no address, plant stamp or other era marker. This house-label design was used across the label's US pressings of this catalogue number from the 1978 original through the 1979 and 1980 repressings, and nothing in the label face itself - no address change, no re-set type - distinguishes one from another. The runout carries no pressing-plant stamp, so this copy is a US pressing of AL 7703 from the 1978-1980 window rather than one of the three runs in particular.
Fidelity
This pressing was cut from the original session masters and pressed domestically for Alligator's 1978 release; no mastering engineer is credited on the jacket or labels. Collectors generally regard the Alligator Living Chicago Blues series as solid, unfussy blues-label pressings rather than audiophile products, valued for the performances and song selection more than for sonic polish. No audiophile reissue of this specific volume exists, so this original US pressing stands as the top of its own fidelity hierarchy among domestic and foreign licensed editions.
Notes
This is the 1978 US stereo first pressing of Alligator AL 7703. The etched runouts read AL-7703A and AL-7703B, matching the catalogue number printed on the jacket spine, front/back cover and both labels. The gray, alligator-logo house labels seen here are consistent with the label's original late-1970s design used on this release before later reissues and foreign licensed pressings (Sonet, Discophon, ATLAS) altered the packaging.
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