Thank you for buying this record. What follows is its documentation: the
pressing identified, the matrix / runout transcribed by hand from the dead
wax, and the condition as assessed before it was listed. It is yours to keep
with the record.
— Paul, Vinyl Curator
Lou Donaldson
Gravy Train
1962 · Blue Note BLP 4079 · Mono · US · LP · 33 1/3 RPM
Pressing details
| Label | Blue Note |
| Catalogue number | BLP 4079 |
| Year | 1962 |
| Mono / Stereo | Mono |
| Country | US |
| Format | LP |
| Speed | 33 1/3 RPM |
| Genre | Jazz - Soul Jazz/Hard Bop |
| Producer | Alfred Lion |
| Musicians | Lou Donaldson (alto sax), Herman Foster (piano), Ben Tucker (bass), Dave Bailey (drums), Alec Dorsey (conga) |
Matrix / Runout
Side A: BN-LP-4079-A EAR RVG
Side B: BN-LP-4079-B EAR RVG
Condition
- Cover
- VG+
- Vinyl
- VG
Variant chronology
1962 - US Blue Note BLP 4079 mono, NY USA label, deep groove side 1, RVG stamp + Ear <- this copy
1962 - US Blue Note BLP 4079 mono, NY USA label, no deep groove, RVG stamp + Ear
1966 - US Blue Note BLP 4079 mono reissue
1962 - US Blue Note BST 84079 stereo, NY USA label, RVG stamp + Ear
1966-1975 - US Blue Note BST 84079 stereo repress(es)
1990s-2019 - Japan/EU reissues and remastered CDs
This Pressing
1st pressing (mono, 1962) - New York, USA label, deep groove side 1, RVG stamp + Ear in the deadwax.
The Album
Recorded April 27, 1961 at Rudy Van Gelder's Englewood Cliffs studio and released by Blue Note in July 1962, Gravy Train captured altoist Lou Donaldson's working quartet with pianist Herman Foster, bassist Ben Tucker and drummer Dave Bailey, augmented by Alec Dorsey's congas for extra rhythmic heat. Coming on the heels of Blues Walk and Here 'Tis, the album continued Donaldson's turn from straight bebop toward a bluesy, backbeat-driven "soul-jazz" sound built on jukebox-friendly standards and originals, straight-ahead jazz, bebop and blues done Donaldson's way. It stands as a solid, representative entry in Donaldson's prolific early-1960s Blue Note run rather than a landmark, valued more for its consistency and groove than for any single innovation.
Tracklist
Side 1
1. Gravy Train (Donaldson)
2. South of the Border (Kennedy-Carr)
3. Polka Dots and Moonbeams (Burke-Van Heusen)
4. Avalon (Rose-Jolson)
Side 2
1. Candy (David-Whitney-Kramer)
2. Twist Time (Donaldson)
3. Glory of Love (Hill)
The Label
The side labels are the white/blue Blue Note design reading "BLUE NOTE RECORDS INC · NEW YORK USA" with no street address, the New York USA label on which BLP 4079 was first issued in 1962. Side 1 carries a deep groove. The hand-etched matrix (BN-LP-4079-A/B) sits beside the RVG stamp and the Plastylite ear in the deadwax of both sides; BLP 4079 is among the last Blue Note first issues to carry the RVG stamp before the VAN GELDER stamp replaced it. The first pressing of BLP 4079 carries New York USA labels, a deep groove on side 1, the ear and the RVG stamp.
Fidelity
Van Gelder's original 1961 all-analog tape, cut to lacquer by Van Gelder himself, with his RVG stamp in the runout, and pressed at Plastylite, whose Ear mark is in the runout too, rather than in a later custom-pressed run. Collectors on the forums generally rate these early-1960s NY-label Van Gelder-cut Blue Notes very highly for warmth and presence, ranking them above the mid-60s Liberty-era NY/Div. of Liberty pressings and well above generic reissues; no audiophile remaster (Music Matters, Analogue Productions, Tone Poet) of this specific title exists, so this original pressing represents the top of the album's known fidelity hierarchy alongside other RVG/Ear first pressings.
Notes
1962 Blue Note BLP 4079 mono - original first pressing. NY USA labels with deep groove on side 1, RVG stamp and Ear (Plastylite) mark in the runout are the marks of this catalogue number's first issue. The deep groove and the RVG stamp both left Blue Note's pressings during the NY USA label years.
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