Tom Waits & Crystal Gayle

One From The Heart - The Original Motion Picture Soundtrack Of Francis Coppola's Movie

1982  ·  Columbia FC 37703  ·  Stereo  ·  US (Columbia Terre Haute, IN pressing - etched 'T1' plant mark in deadwax)  ·  LP · 33 1/3 RPM

Pressing details

LabelColumbia
Catalogue numberFC 37703
Year1982
Mono / StereoStereo
CountryUS (Columbia Terre Haute, IN pressing - etched 'T1' plant mark in deadwax)
FormatLP
Speed33 1/3 RPM
GenreStage & Screen / Jazz - Vocal Jazz, Lounge
ProducerBones Howe
ComposerTom Waits
ConductorBob Alcivar
Performer / OrchestraStudio orchestra arranged and conducted by Bob Alcivar
MusiciansTom Waits (vocals, piano), Crystal Gayle (vocals), Bob Alcivar (arranger, conductor), Greg Cohen (bass), Larry Bunker (drums, percussion), Jack Sheldon (trumpet), plus Hollywood studio orchestra; Pete Jolly (piano) and Dennis Budimir (guitar) also on the sessions

Matrix / Runout

Side A:  PAL 37703-2D
KDISK T1
Side B:  PBL37703-2D
KDISK 1A T1

Condition

Cover
NM
Vinyl
EX+

Variant chronology

1982 - US Columbia FC 37703, Terre Haute plant ('T1' etching), red repeated-COLUMBIA label  <- this copy
1982 - US Columbia FC 37703, Pitman plant pressing (same label design, no sale evidence found)
2016 - Mobile Fidelity Sound Lab MFSL 1-448 audiophile reissue (no sale evidence found)

This Pressing

Original US first press (1982) - Columbia Terre Haute, IN plant ('T1' etching in deadwax); PAL/PBL 37703-2D lacquers with KDISK (Kendun Recorders) mastering etchings.

The Album

Francis Coppola conceived One from the Heart as an intimate, stylized romance following Apocalypse Now, and commissioned Tom Waits to write a song cycle charting a couple's breakup and reconciliation in a neon-lit Las Vegas. Waits spent nearly two years on the project, writing every song and recording with longtime producer Bones Howe and arranger Bob Alcivar, whose lush, string-and-brass orchestrations gave the material a Nelson Riddle-era romanticism unlike anything else in Waits's catalog. Crystal Gayle was brought in to voice the female half of the story - reportedly at the suggestion of Waits's wife Kathleen Brennan - and the pairing of her polished country-pop voice with Waits's ragged, whiskey-soaked delivery became the record's defining device, most vividly on the duets. The film was a lavish, expensive flop that helped sink Coppola's Zoetrope Studios, and the soundtrack's release was delayed by the ensuing turmoil before finally appearing in 1982. Waits earned an Academy Award nomination for the score, and critics came to regard the album as the most sophisticated, orchestrated statement of his early songwriting period. It effectively closed out his Asylum-era lounge-jazz balladeer persona; within a year he had reinvented his sound entirely on Swordfishtrombones, making this soundtrack a singular, beloved outlier in his body of work.

Tracklist

Side 1

1. Opening Montage: Tom's Piano Intro; Once Upon A Town; The Wages Of Love (5:15)
2. Is There Any Way Out Of This Dream? (2:12)
3. Picking Up After You (3:52)
4. Old Boyfriends (5:52)
5. Broken Bicycles (2:51)

Side 2

1. I Beg Your Pardon (4:25)
2. Little Boy Blue (3:40)
3. Instrumental Montage: The Tango; Circus Girl (2:59)
4. You Can't Unring A Bell (2:20)
5. This One's From The Heart (5:44)
6. Take Me Home (1:35)
7. Presents (1:01)

The Label

The label design is the red Columbia design with 'COLUMBIA' repeated around the rim interspersed with CBS note logos, 'PRINTED IN U.S.A.' rim text, and '(c) 1982 CBS Inc.' - the layout Columbia introduced c. 1981 alongside the FC catalog prefix for full-price pop, replacing the earlier JC-era design. The AL/BL 37703 side-specific numbers are standard Columbia practice for this era. The deadwax carries an etched 'T1' before the KDISK mark, Columbia's designation for its Terre Haute, Indiana pressing plant (distinct from Pitman's 'P' stamp), making this copy a Terre Haute pressing rather than Pitman. Both plant variants are equal-status original 1982 first issues cut from Kendun Recorders, Burbank ('KDISK') lacquers.

Fidelity

Mastered at Kendun Recorders, Burbank (the 'KDISK' etching) and pressed at Columbia's Terre Haute, Indiana plant - generally viewed by collectors as a slightly less consistent presser than Pitman but capable of clean, quiet copies. The Bones Howe production, tracked at Wally Heider's in Hollywood, is a big, polished analog studio recording, and the original Kendun cut is warm and dynamic. In the album's fidelity hierarchy, the 2016 Mobile Fidelity Original Master Recording LP (MFSL 1-448) is the acknowledged top tier, praised by audiophile reviewers for a deeper, more three-dimensional presentation; a clean original 1982 US pressing like this one is the reference vintage alternative, while the recent colored-vinyl reissue and the CD editions sit below both for pure analog sonics.

Notes

1982 Columbia FC 37703 - original US first pressing, Terre Haute, IN plant. Red 'repeated COLUMBIA' rim labels with (c) 1982 CBS Inc. match the first-issue design. The etched 'T1' in the deadwax is Columbia's Terre Haute plant mark, and the PAL/PBL 37703-2D matrices with KDISK etchings confirm Kendun-mastered lacquers. No club, promo, or reissue markers are present; this is the Terre Haute pressing variant.